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Comments on implementation – Directlinks to posts

  • Exceptions (Art. 3 – 7)
  • TDM/Exception for research purposes (Art. 3 and 4)
  • Exception for education (Art. 5)
  • Exception for cultural heritage (Art. 6)
  • Improvement of licensing and access
  • Orphaned works and preservation of heritage (Art. 8)
  • Cross-border uses (Art. 9)
  • Publicity measures/European Registration (Art. 10)
  • Stakeholder dialogue (Art. 11)
  • Collective licensing (Art. 12)
  • Video-on-demand platforms (Art. 13)
  • Works of visual art in the public domain (Art. 14)
  • Measures for well-functioning marketplace
  • Ancillary copyright for press publishers (Art. 15)
  • Publisher’s compensation (Art. 16)
  • Protected content by online sharing service providers (Art. 17)
  • Remuneration of authors and creatives
  • Transparency/Contract adjustment mechanism (Art. 18 – 20)

Latest posts

  • DSM implementation: what is happening with regards to the other provisions.
  • CJEU hearing: Not even the supporters of Article 17 agree on how it should work
  • DSM directive implementation update: six months to go and no end in sight
  • The new draft bill, part 3 – The ancillary copyright for press publishers
  • The new draft bill, part 2 – Who supports creative individuals?

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Die Linke im Europaparlament
THE LEFT Group Secretariat

The new draft DSM Directive

The new draft bill, part 3 – The ancillary copyright for press publishers

12/15/2020 Simon Weiß

Authors: Petra Sitte, Simon Weiß

In this article series, we will discuss the contents of the new draft of the DSM Directive. What was the Directive initially about, what does the current draft say, what has been changed compared to earlier drafts, and what needs to be amended in our view? Following our input on Article 17 and copyright contract law, we now continue with ancillary copyright law for press publishers.

What is it about?

The ancillary copyright for press publishers (Leistungsschutzrecht für Presseverleger) was adopted in Germany in 2013. It gives press publishers an exclusive right to publish short excerpts of texts which they have published, even if these texts are not protected by copyright law. From the very outset, this regulation was aimed at Google, which displays short excerpts (“snippets”) of web pages in its search engine results. The adoption of the ancillary copyright marked a failure across the board, as it left unfulfilled the hopes of some publishers that this legislation would secure them a share in Google’s revenues. This failure was predictable, as accessibility via search engines yields far more benefits for publishers than it does for Google itself. In the end, the ancillary copyright law granted Google a free license, which ultimately even strengthened Google’s position and helped to displace small search engines and news aggregators. Other European countries have made similar experiences.  

Nevertheless, the DSM Directive introduced a similar regulation that is binding throughout Europe and in some points it even moves beyond German ancillary copyright law – which only applies to commercial providers of search engines or other content aggregators – to cover all commercial uses. In addition, it extends the respective right to two years instead of one.

What does the draft provide for?

Correspondingly, the draft bill replaces previous German regulations with provisions based on the Directive. One important addition is that it defines the “equitable share” of revenues that authors are entitled to according to the Directive, which should be at least one third.

What has changed?

The draft bill contains several changes to the first discussion draft. These include the above-mentioned specification of an “equitable share” as well as the helpful clarification taken from the recitals of the Directive that the ancillary copyright does not cover the use of facts contained in a press publication.

The most important change, however, concerns the deletion of a provision that specified the Directive’s exemption regarding the “use of single words or very short extracts”, which explicitly mentioned the heading, preview images with a maximum resolution of 128 x 128 pixels, and sound or image sequences of up to three seconds.

Even if this specification was unsatisfactory, leaving a “very short excerpt” undefined again hardly helps to support the cause. When considering the typical use case of a search engine or aggregator that provides a link with a preview of the content, it is clear that the corresponding excerpt must be selected automatically. Therefore, clearly defined thresholds in terms of length are required to operate such applications in a legally compliant manner.

What should be done?

The best thing, of course, would be to eliminate ancillary copyright legislation completely. Since European law does not permit this, however, the focus should be on implementing the Directive in such a way as to enable the legally safe operation of search engines and other services.

To this end, the concept of “very short excerpts” needs to be specified, and this specification needs to be included in the Directive. It is necessary to define a minimum length, not only for images, video and sound, but also for text. Defining a maximum resolution for images makes little sense; at least photographic images are already protected, either by copyright or by property rights on photographs. In this respect, current legislation has already clarified the contexts in which their reproduction is permitted, which consequently eliminates the need for further restrictions.

To the extent that ancillary copyright generates any income at all—which has not been the case in Germany so far—the authors on whose work this income is based should be entitled to more than one third of the generated income. The German Association of Journalists (Deutscher Journalistenverband) has pointed out in this context that in the relevant collective and framework agreements approximately 50 percent of the income generated by subsequent use is assigned to authors.

Artikel 15

Category: EU-Copyright-Directive
Tags: The new draft DSM Directive, Art. 15 - ancillary copyright for press publisher using online publications, DSM Directive, Art. 15 - Protection of press publications concerning online uses, Ancillary copyright for press publishers (Art. 15)

The new draft bill, part 2 – Who supports creative individuals?

12/15/2020 Simon Weiß

Authors: Petra Sitte, Simon Weiß

In this article series, we will discuss the contents of the new draft of the DSM Directive. What was the Directive initially about, what does the current draft say, what has been changed compared to earlier drafts, and what needs to be amended in our view? While part 1 focused on Article 17 and the upload filters, we now turn to copyright contract law.

What is it about?

Copyright contract law has received far less attention in the context of the reform of copyright legislation than issues such as upload filters or ancillary copyright law. This is, of course, due to the fact that although many people use the Internet, only few negotiate copyright contracts. Nevertheless, what is at issue here is the question of fair distribution of revenues, which (leaving privacy rights issues aside) is at the core of copyright law: who is entitled to the revenue generated by the use of creative works?

In this context, creative individuals usually negotiate with exploiters who wield greater economic power, such as publishing houses and television broadcasters, and thus find themselves in a much weaker position. As in labour law, they must therefore be protected by legislation in order to be able to enforce their claims. Germany’s copyright law contains a number of provisions to this end. But despite a number of reforms that have attempted to address the problem in recent years, current copyright contract law still fails to sufficiently ensure that creative individuals receive an equitable share of the profits.

mehr lesen
Category: Comments on implementation
Tags: Art. 23 - Common provisions, Art. 21 - Alternative dispute resolutions, Art. 18 - Principle of adequate and proportionate remuneration, Art. 19 - Obligation of transparency, Art. 20 - Adjustment mechanism, Art. 22 - Right of Revocation, The new draft DSM Directive, DSM Directive, Transparency/Contract adjustment mechanism (Art. 18 - 20)

The new draft DSM Directive (for Germany), part 1 – upload filters revisited, again

12/15/2020 Simon Weiß

Authors: Petra Sitte, Simon Weiß

In this article series, we will discuss the contents of the new draft of the DSM Directive. What was the Directive initially about, what does the current draft say, what has been changed compared to earlier drafts, and what needs to be amended in our view? This part will focus on Article 17, i.e. on upload filters, while in part 2 we will turn to copyright contract law.

What is it about?

There is no single part of the EU copyright reform that has drawn as much attention and criticism as Article 17. The core issue is this: platforms to which users can upload content, such as YouTube, must in future obtain licenses for all forms of content and prevent unlicensed content from being uploaded. This results in an obligation to install upload filters, i.e., to have uploaded content checked and blocked by automated software filters.

These upload filters are dangerous, as there exists no technical procedure capable of identifying the contexts that define whether a particular publication violates, or respects, copyright law. This inevitably leads to “overblocking”, i.e., the blocking of actually permitted content, and thus limits users’ freedom of expression.

We, The Left Party Parliamentary Group in the German Bundestag, have therefore strictly opposed Article 17 from the outset and still hope that the European Court of Justice will overturn this provision given that it violates fundamental rights. The German government has announced in a detailed protocol statement that it seeks to make upload filters “largely unnecessary” when implementing the provision. 

mehr lesen
Category: Comments on implementation
Tags: The new draft DSM Directive, Article 17, Art. 17 - Use of protected content by service providers for sharing online content, upload filter, DSM Directive, Protected content by online sharing service providers (Art. 17)

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Latest Posts

  • DSM implementation: what is happening with regards to the other provisions.
  • CJEU hearing: Not even the supporters of Article 17 agree on how it should work
  • DSM directive implementation update: six months to go and no end in sight
  • The new draft bill, part 3 – The ancillary copyright for press publishers
  • The new draft bill, part 2 – Who supports creative individuals?

Links to other websites

Die Linke im Europaparlament
THE LEFT Group Secretariat

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